Chan’s practice is about exploring how the picture, painting and drawing process could capture the fluency, rapidness and quantity of dynamic images, and hence represent the lightness and heaviness behind the gesture.

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Dynamic of gesture smoothens and extends seeing, it strikes into the eyes and summons the torrent of images in mind instantly, which brings an image more than an image. Sometimes it penetrates time at a moment, summoning next moment of the movement; and sometimes it penetrates the memory, connecting similar scenes together. Dynamic is a fluent extendibility for images which summons our desire to see across the present image. Furthermore, it is not only an extended desire, but also a symptom of desire itself for the rapidness and quantity of seeing. For Chan, painting is an action responding to desire of seeing, no matter towards inside or outside.

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